Met Gala 2025 Review
It’s the first Monday in May and I am here to go through and rank 40 of this year’s Met Gala red carpet looks This year’s theme: “Tailored for You” and this ties into this year’s blockbuster exhibition of the Met Costume Institute with the topic “Superfine: Tailoring Black Style” which opens on May 10.
If you do not understand the theme or if you are confused, you have to check out my Met Gala Prep 2025 article which explains the Met Gala theme and the exhibition of the Costume Institute.
You can also watch my video rating over 60 outfits here:
Anna Wintour in Louis Vuitton
The Vogue editor-in-chief is the main host and wore custom Louis Vuitton and she said her outfit is a tribute to the late Virgil Abloh and new interpretation of his cloud coat. Now, you may say – where are the clouds? I think what they are referring to is the shape and lightness of the coat. It was an OK-look, but forgettable. Anna Wintour’s Met Gala outfits are usually not the most flamboyant ones and she is often criticised for that, however, it may be on purpose to not distract from the guests.
La La Anthony in Vintage Off-White
Moderator La La Anthony’s look was classy you could see she felt comfortable, it was a bit of a nod to a dandy. The jumpsuit is tailored, the half-coat adds the drama. It was not too much – as a moderator, she probably also wanted to leave the spotlight to the guests. Her outfit also honoured Virgil Abloh, who she also called a friend. But instead of Louis Vuitton by Pharrell, she opted for Off-White, Abloh’s own brand, from 2020. Well done.
Ego Nwodim in Christopher John Rogers & Teyana Taylor in Ruth E. Carter
Ego Nwodim’s look by Christopher John Rogers in black was well-tailored and had a playful element with the exaggerated hips. They also added colourful details such as the buttons on the sleeves, her nails and the red high heels. Again, it was a take on the dandy, I would have opted for a different hairstyle and accessory.
I was looking forward to Teyana Taylor because of the Vogue Met Issue – her picture Janelle Monae was one of my favourites from the shoot. This one was, unfortunately, a no-no for me. The combination of the individual items, which may have worked on their own, headpiece, the exaggerated cape (which may have been a reference to André Leon Talley, see below), the jewllery, the flower and the (ugly) shoes, just looked incoherent. The dandy is about expressing oneself but this one did not work so well. I liked the backstory of the outfit though: It’s by Ruth E. Carter, the costume designer behind many very famous movies, for example Black Panther. Furthermore, I did appreciate that she wore a Durag for this formal event. This headscarf is often worn by black people to protect their hair at night. This was a great statement.
Colman Domingo in Valentino
The king of the Gala. Domingo arrived in a big blue cape with golden embroidery – very much Met Gala. But it was not only an “attention grabbing”-outfit, this was already one of many references to the theme: André Leon Tally wore a big blue cape to the Met Gala in 2011. Furthermore, another source of inspiration was “across the seas” – while he did not elaborate on it in the interview, we can assume that he was referring to the Black diaspora. And he added that the colour refers to kings. This is a very interesting point: Historically, royal blue was a colour which was very expensive to make or dye and, hence, often reserved to the monarch. This reflects what Miller mentioned in her book which was the basis for this year’s exhibition at the Met Costume Institute. Black fashion reflects the Rhythm & Blues – the beauty and the hardships of Black people. By linking the slave trade across the Atlantic to kings, and, therefore, appropriating the colour of the very people who exploited them, Domingo used this colour and cape as self-expression. Moreover, Domingo explained that he researched a lot with Miller and according to her, a freed slave wanted to wear his finest blue superfine wool suit. By the way, what is “superfine”? It is in the title of the exhibition but it is not really explained. The term refers to a type of wool which is very fine, below 17 microns which makes the fabric exceptionally soft.
Domingo took off his cape and revealed his suit. The whole outfit was designed by Alessandro Michele for Valentino and it is a beautiful mix of patterns and textures which can be risky, but in this case it works perfectly: the polka dots (a reference to Michele’s SS 2025 collection), the checkered blazer with tiny pearls, the structure of his pants.
Lewis Hamilton in Grace Wales Bonner
Another co-chair with a very strong outfit: The racing driver wore an ivory suit with matching hat by British designer Grace Wales Bonner whose designs are also featured in the exhibition. Hamilton shared his relationship to fashion: Where he comes from, Formula 1, he had always been an outsider as the only Black driver. He felt he had to conform, but the older he got, the more he found his sense of self and fashion helped him become the person he is today. In 2021, Hamilton donated for a table at the Met Gala and invited Black designers (he also did that this year). From then on, he had been in touch with Anna Wintour and we they discussed this year’s Met Gala theme at a meeting in London, she asked him to be a co-chair.
The ivory suit is inspired by Harlem Renaissance and particularly by jazz musician Cab Calloway. Furthermore, the ivory “colour-blocking”, was inspired by the white-on-white paintings by the late American artist Barkley L. Hendricks. This ivory also stands for purity. According to Hamilton, Grace Wales Bonner is passionate about spirituality. The shells represent currency and like oder details, such as the brooch with blooms, they symbolize the African culture and the power of adornment.
Lewis Hamilton and his stylist Eric McNeal did it again, a winner.
Pharrell in Louis Vuitton
While his outfit was criticised by many online as “boring”, I strongly have to disagree with it. Firstly, it was tailored immaculately, it looked classy yet dandy and a close look at his blazer reveals an interesting texture and it was also covered in tiny pearls. According to the Louis Vuitton creative director, he was inspired by his childhood, by the working-class people of Harlem. According to Pharrell, they “work […][their] ass off the whole week” and were their Sunday finest for church. Furhtermore, his suit was also inspired by London’s Saville Row, the famous, the street known for its bespoke tailoring. Even though it looked simple at first sight, it was a very good Met Gala outfit.
A$AP Rocky in His Own Design
Lastly, A$AP Rocky who wore his own design. “When I heared black designer, I decided to wear my own,” he said in the interview with La La Anthony and Teyana Taylor. His outfit reflects his personal style – as mentioned in my article Met Gala 2025 Prep, A$AP Rocky blends styles and sources of inspiration, from hip hop, to tailoring to seventies, to name a few. His shoes were a collaboration with Christian Louboutin.
Dapper Dan in His Own Design
For his third attendance of the Met Gala (he said due to the theme it was the most important night and a very important moment in his life), Dapper Dan created his own look which was inspired by a Zoot suit from the Harlem Renaissance period (which roughly spanned across the 1920s and 1930s). The Zoot suit’s main characteristics are the wide-leg pants and the exaggerated shoulders. Dapper Dan’s Met Gala suit in white featured an interesting pattern – when zooming in, this pattern is made of the Sankofa symbol, a mythical Ghanaian bird symbolizing as Dapper Dan explained: “We need to go back to know where I am today”. This symbol in a much bigger version was also as decoration on the back of his coat.
His jewellery is also worth looking into as there is a lot of meaning behind it. His Cartier pyramid-cut pinky ring reminded him of the early Italian presence in his neighbourhood, according to him, many people do not know that the Italians heavily influenced the Harlem Renaissance period. The multi-strand gold chain necklace represented the Latinos and West Indians in Harlem. The signature Cartier panther ring had a special meaning for him, as he explained that the animal represents the music originating in the Congo, then coming through Cuba and eventually shaping Afro-Cuban jazz.
All in all, one of the winners of the night.
Zendaya in Louis Vuitton
The actress wore Louis Vuitton by Pharrell, her jewellery was by Bulgari (neither is a surprise as she is an ambassador for both brands). Everything about her white suit was on point: the cut, the hat, the make-up, her red fingernails. The bootleg-cut of her pants made the outfit look very elegant and sleek. She represents the Black dandy while staying true to herself.
She was not the only guest in an all-white suit. Anna Sawai attended in a very similar outfit designed by Dior. While this was also a solid effort, Zendaya’s interpretation just worked a bit better, it was more convincing – probably because of its sharp tailoring and also because it did not feel like the costume carried her.
Doechii in Louis Vuitton
The outfit itself was not my favourite, but among the Louis Vuitton by Pharrell it was one of the better ones. I am not a big fan of the all-over logo look (it may have been a reference to André Leon Talley who famously travelled with his Louis Vuitton luggage, but she did not mention that). However, the story behind the outfit links to Monica Miller’s book and a quintessential dandy from the 18th century: Julius Soubise was a formerly enslaved Afro-Caribbean man who lived in Britain. He was a man of many talents in addition to his sartorial passion – his master used him to entertain his guests, for example, by playing the violin. This outfit reflects what Miller mentioned in her book: Black servants were often stylized dandies used to trumpet their master’s wealth.
One important note on the hair: Doechii wore her textured her which is a very important statement on a big red/blue carpet like the one of the Met Gala. Similar to Viola Davis, who wore her textured hair to the Oscars in 2022, Doechii shows that the textured hair – which for a long time had to make way for braids, which were more accepted, for more formal events – is also elegant red carpet worthy.
Sabrina Carpenter in Louis Vuitton
Another Louis Vuitton-look, and yet another “no pants”-look (of many) – which did not work. The issue is not so much that she did not wear pants, it was the overall design and styling. It gave more circus director rather than dandy.
Jeremy Pope in Vintage Maison Margiela
Pope’s outfit styled by Law Roach, Zendaya’s stylist, was entirely sourced from eBay (another sponsor of the event). Similar to many other outfits, Pope’s interpretation was also inspired by Harlem – the streets, the art, and paying homage to his ancestors. While I was a bit unsure about the sleeveless top at first, I think it still works. It is from the FW 1997 ready-to-wear collection by Maison Margiela and it is his interpretation of the Black dandy.
Ayo Edebiri
Similarly, Edebiri’s look disappointed. The items – the dress, shoes and jacket – may have work on their own, but in combination it look incoherent. I hoped for an explanation about the story behind, but also this one was a bit of a let-down. (Maybe she did not have enough time to elaborate it further during the interview.) Edebiri said that she was not only inspired by being Black, being in the diaspora but also by some of the dandyiest men in her family – her father, her grandfather. A beautiful source of inspiration but it did not really save the outfit.
Jeremy Allen White in Louis Vuitton
The actor also wore Louis Vuitton – the pin-stripe suit was beautifully tailored and was embellished with pearl buttons. It was a good interpretation, Jeremy Allen White did not look like wearing a costume, it is a not to the dandy without being too literal and losing his own handwriting.
Serena Williams & Alicia Key in Moncler
What happened? The tennis champion wore Moncler, the dress itself is OK, not the best but it could still pass, but the puffy train was destroying the whole thing. Needless to say, Moncler made a statement by using their core product – puffy jackets – but this just did not do Williams justice.
And something similar happened to Alicia Keys, also in Moncler, The suit itself could have passed but the puffy train and the overall styling were a big no, unfortunately.
Tracee Ellis Ross in Marc Jacobs & Steven Jones Hat
This was a polarizing look – a lot of people did not like her puffy pants and the big bow. At first sight, I was also skeptical. But let’s consider Tracee Ellis Ross’s fashion style: she is a version of the dandy in real life. She even said this in her interview with La La Anthony, she said that she feels that she is naturally a dandy, because she does not live by anyone’s standard and wears fashion on her own terms. And this is the very definition of the dandy. Dandy’s do not only follow fashion, they express themselves and their views with fashion. And sometimes, this means that they make an outrageous outfit choice. I think it is a great outfit for the theme.
Jennie in Chanel
The inspiration was clear: the 1920s/1930s Coco Chanel – who herself was a dandy. The tailored jumpsuit with overskirt looked nice, they could have spared us the camelia. I also liked the hat. Was it something new? Was it something we will remember for a long time – maybe not.
Rosé in Saint Laurent
The singer’s tuxedo was designed by Anthony Vacarello for Saint Laurent. According to Rosé they wanted to pay tribute to Yves Saint Laurent himself by wearing one of his most iconic garments. It looked nice, also the coat with train were a good match (it was puffy but not in a bad way like the Moncler ones). Was it enough? Will we remember it? Not really. I will remember her beautiful jewellery, but I was also not a big fan of her hair.
Lisa in Louis Vuitton
One of this year’s scandals: When Lisa arrived on the blue carpet, I immediately marked it as one of the worst. It looked as if she just wanted to attract attention, it did not make her look great. I did not like the logos on her tights. This was what we could see on the livestream. The real “scandal” was only revealed once detailed pictures emerged showing a face with a close resemblance of civil-rights activist Rosa Parks – on the blazer (which would be OK) and on her … underwear. Until the time of publishing this article, it has not been confirmed whether it really was the face of Rosa Parks. But however’s face it was, it was not only unnecessary but also in very poor taste. Who came up with that idea? And how could somebody like Pharrell go through with it?
Gigi Hadid in Miu Miu
At first sight, the gold dress worn by the model may have looked like a boring gala look. It was beautifully detailed and would have grabbed the attention on any other red carpet. But there was much more behind this Miu Miu-design styled by Gabriella Karefa-Johnson: Hadid payed tribute to Zelda Wynn Valdes, a Black designer who was famous in the 1940s. Wynn Valdes was trained in her uncle’s tailoring shop, hence, the link to tailoring. Later on, she opened her own dress-making store in Washington Heights. Her designs were beautiful and you can see how Hadid’s dress reflected this. Considering this explanation, it is a very good outfit. It is one of the few interpretations for women which does not involve a suit or a gown referencing the male garment while still being on theme.
Anne Hathaway in Carolina Herrera
Hathaway called Herrera the “queen of the white shirt” and wanted to celebrate the garment. Maybe this was a link to the theme? The shirt of a suit? Furthermore, the actress mentioned that it was an homage to André Leon Talley and that she would want to hear him shout his famous “glamour” from heaven. Well, nice try, she looked beautiful but not really enough and also off-theme, as the André Leon Talley-link seems a bit like an afterthought.
Aimee Lou Wood in Priya Ahluwalia and Patrick Schwarzenegger in Balmain
White Lotus is everywhere. Schwarzenegger looked great in his Balmain-suit. The cut was very interesting, the only thing we could live without is the yellow shirt. Aimee Lou Wood earned extra points for promoting a designer who is not as known as the big luxury brands. The overall design was pretty, but the styling did no justice to it. Her wet look did not do her justice and the shoes (which would look beautiful on their own) paired with the white socks over the sheer black tights ruined the looked. Nevertheless, a good effort by both of them.
Demi Moore in Thom Browne & Rachel Broshnahan in Sergio Hudson
Demi Moore as a living tie. Do I need to say more? A gorgeous woman in a gimmicky gown which did not work out.
Similarly, Rachel Brosnahan tried to make the reference to the theme with the tie in the back (she made sure to point it out when being photographed). Nevertheless, it was just a bit average – she looked better in the gala costumes of Mrs. Maisel.
Kendall Jenner in Torishéju and Kylie Jenner in Ferragamo
Credit where it’s due: Kendall Jenner looked stunning in Torishéju, the namesake label of British designer Torishéju Dumi. (Like Aimee Lou Wood, she deserves extra credit for choosing a lesser known label.) This was one of the very few interpretations of a suit-inspired gown which worked. It was beautifuly tailored, the details on the blazer from the shoulders down were really flattering and the jewellery was gorgeous as well.
Her sister, Kylie, went into the opposite direction, and not in a good way. The grey parts referenced tailored suits but the gown itself looked incoherent, it was too busy: glitter flowers, embellishments, a sheer middle part, the black shawl pinned with yet another glitter flower.
Madonna in Tom Ford
Bravo! This is proof that Madonna can still do it – and that Tom Ford (who attended himself as well) can still do it too. It was another white-on-white (or ivory-on-white) suit but in Madonna’s case it was a loose cut, the bow tie and “brooch” worked. I liked how she posed with the cigar. Madonna is her own version of a dandy in real life, she stayed true to herself and choosing the quintessential dandy Tom Ford was also a great choice.
Myha’la in Luar
Myha’la in Luar definitely grabbed attention, for a reason. The idea would have been good: It was dandy, maybe leaning towards gangster. It was an exaggerated version of the Zoot suit (a special type of suit with exaggerated shoulder pads and wide pants). Unfortunately, the boots ruined the whole look.
Nicole Kidman in Custom Balenciaga Couture
She looked stunning – the dress was beautiful, the makeup and hair were on point. But was it really Black dandy? In the interview, she mentioned that the theme “Tailored for You” was reflected by the custom Balenciaga couture choice and that she was inspired by the women who supported the Black dandies. Similar to Anne Hathaway, it felt a bit like an afterthought.
Halle Berry in LaQuan Smith
Unfortunately, a very bad hair-and-outfit day for Halle Berry. The dress is incredibly unflattering, even for a beautiful woman like her. Some people commented that it looked better on the Livestream but I doubt it, it was, unfortunately, one of the worst ones of the evening.
FKA Twigs in Grace Wales Bonner
Yet another polarizing look – unjustified in my opinion. FKA Twigs wore a flapper-inspired outfit by Grace Wales Bonner who she has known since their childhood in London’s Hackney. Some people argued that this was not enough “dandy” but firstly, she mentioned in the interview that she paid tribute to the women behind the Black dandies (in my opinion her arguments were more convincing than Kidman’s). Furthermore, as mentioned in Miller’s book, there are many different dimensions to a Black dandy. I do not think that this only means they wear suits. A dandy expresses their personal views, they are progressive, they often challenge the structures and rules of societies. And when we put it into the context of the 1920s which were the major inspiration for that outfit, it becomes even clearer. Firstly, while there were trailblazers like Coco Chanel who already wore pants at the time, most women, even if they were forward-thinking did not. However, they expressed it with this new, straight silhouette which did not require any corset. These women freed themselves from this restricting garment and, therefore, also from the expectations of society. They challenged the status quo. Is this not the definition of the dandy as well?
Monica Barbaro in Dior
We have seen enough of the Bar suit! I mentioned it in my article about the Cannes Film Festival 2024: Dior needs to stop with its reinterpretations of Christian Dior’s iconic garment. It was one of the better Bar suit reinterpretations but still, enough is enough. Give us something new.
Andrew Scott in Giuliva Heritage
A dandy does not necessarily only dress in black, white and grey. Scott’s mission was to make this point while also staying true to his style. I am a bit torn, I am not sure if I like it, however, I am leaning more towards a positive view, as this Met Gala outfit also reflects his own style. I would have preferred a different choice of shoes.
Bad Bunny in Custom Prada
It is not necessarily the best look of the Gala, but a good effort. Bad Bunny emphasized in his interview with La La Anthony that he wanted to pay tribute to his home Puerto Rico. The hat with woven details is a nodto the sombrero. He represents his own version of a dandy – the bag was fun, even though I do not know what he carried in it (maybe an extra pair of shoes or some snacks in case the Gala dinner was not nice?)
Mindy Kaling in Harrison Studio
It was one of the interpretations catching my attention when she arrived on the red carpet. It is a great interpretation of tailoring without being to literal. It looks elegant and the belt which is also a train worked really well. I could have done without her earrings and the detail in the front of her skirt.
Mona Patel in Thom Browne
Thom Browne, as predicted, was very present at this year’s Met Gala. And Mona Patel did it again. Last year, her dress with butterfly details by Iris van Herpen was one of my favourites and this year did not disappoint either. It is beautifully tailored – it is dandy, yet feminine and sexy. The hat looks great (it was 3D-printed), also the dog-shaped-“bag” was actually more than just a nice detail. It was a robotic dog developed by MIT – a reference to Thom Browne’s Dachshund Hector. His leash was covered in 1000-emerald cut diamonds and he was programmed with sensors for movement. A closer look at her overcoat reveals beaded details in the middle, a nod to Patel’s home country India. The look was inspired by Patel’s father, she said in an interview with Vogue India: “While other little girls were playing dress-up in their mom’s heels, I was in my dad’s suits—usually drowning in them, but feeling so powerful.” Definitely a winning outfit of this year.
Mary J. Blidge in Stella McCartney
It was quintessential Mary J. Blidge: she herself is a version of the Black dandy – maybe the rapper version. The musician is known for her signature style in the 2000s and her Met Gala outfits stayed true to herself. Again, an ivory-on-ivory suit with a gold hat – well, the outlines of a gold hat. At first, I was not convinced but considering Mary J. Blidges personal style, I think it worked out well.
Janelle Monae in Thom Browne
Janelle Monae almost always is a guarantee for a Met Gala moment. She arrived on the blue carpet in a boxy coat (a more colourful version than Myha’las), a bowler hat and a broken monocle. She then revealed a suit underneath. It was good, it was a moment, maybe it worked for that night but I am not sure if we will remember it for a very long time.
Lana Del Rey in Valentino
This is a beautiful dress, we could say she tried to incorporate the tailoring in “Tailored for You” without wearing a suit. The combination of the velvet and the floral lace in the back is a nice detail, so are the feathers. Pretty, but also forgettable.
Shah Rukh Khan in Sabyasachi Mukherjee
Indian mega-star Shah Rukh Khan made his Met Gala debut in Sabyasachi. Both have in common that they are incredibly famous in India, and outside, but, nevertheless, many people in America and Europe have never heard of them. Shah Rukh Khan was very much himself, very cool, maybe he represented the Indian Dandy. He joked that he had not even been that excited to attend the event but his children pushed him and Sabyasachi tried to save the situation by adding how the uber-famous Shah Rukh Khan almost caused a stampede of fans in front of his hotel. Maybe it was not the best interpretation of the evening, but it was nice to have India represented by this Bollywood star dressed by one of the country’s most famous designers.
Quinta Brunson in Sergio Hudson
Brunson was one of 18 guests dressed by the American designer and I think this was one of his most beautiful designs of the night. The actress and comedian wore a beautifully tailored white dress with a pattern hinting at pinstripes in black – at a closer look, those pinstripes were beads. She wore a matching blazer and as a red flower as a pop of colour. It looked very much Josephine Baker-inspired and it also reminded me of the 1989 Patrick Kelly-campaign mentioned in my Met Gala Prep article.
Stevie Wonder & Family in Sergio Hudson
Stevie Wonder, his wife Tomeeka Tobyn Bracy and his son Kailand Morris all wore Sergio Hudson as well. I would like to point out the belt worn by Kailand Morris: It looks as if this is a reference of a painting showing the hardships of Black people, most likely slavery. It would be interesting to find out more about this.
Miley Cyrus in Alaia
The singer wore Alaia for the occasion – the combination of the long skirt with the cropped top was a very polarizing choice. While it looked good in pictures, it did not really work for the livestream – it looked a bit unfinished. It could be seen as a similar take on “Tailored for You” like the one previously mentioned by Gigi Hadid. Alaia for me stands for immaculate tailoring and construction and for bringing out the best of the woman’s body – here, unfortunately it did not work that well.
Priyanka Chopra in Balmain and Nick Jonas in Bianca Saunders
I appreciated that Jonas opted for Black designer Bianca Saunders and I actually think – maybe an unpopular opinion – that he looked better than her. I think her dress and hat were pretty but a bit forgettable. I would like to point out the jewellery – it was by Bulgari and the so-called “Magnus Emerald”-necklace mounts one of the largest precious stones in the world with 241.06 carats.
Doja Cat in Marc Jacobs
Doja Cat was one of the guests who surprised everyone at past Met Galas. This year, she wore Marc Jacobs who created an eighties-inspired outfit for her. The singer said that she is currently very much inspired by that period and she wanted to bring its glamour to the Met Gala. It was yet another outfit without pants and her blazer featured the signature padded shoulders of the Zoot suit. The pinstripe pattern was mixed with animal print which was also taken up in her bag. It was a bit gangster, maybe mob-wife. It was a good effort, but a far cry from her past Met Gala moments and would have been a better fit if the theme had been “Dynasty”.
Law Roach in Burberry
The suit was nice – the velvet structure and cut looked flattering, but everybody was rather focused on his hair. The blond actually looks really good, a great transformation.
Sha’Carri Richardson in Valentino
Unfortunately, the athletes outfit was a disappointment. The colour combination of lilac and yellow did not make her shine. She said that she wanted to express herself, like she does on the track and also show that through her fashion. Unfortunately, I think a different dress and also styling would have achieved that better.
Usher in Ralph Lauren & Jennifer Goicoechea in Sergio Hudson
Usher flew in for a few hours from Berlin and left right afterwards for London. He kept it classy in Ralph Lauren and also said that dandyism for him is a matter of expression. His wife Jennifer Goicoechea wore Sergio Hudson. The outfit was very nicely tailored, the sash was an interesting addition (the big white flower was a bit unnecessary), but overall it was a great interpretation of the theme.
Rosalía & Olivier Rousteing in Balmain
The singer’s simple, ivory dress was designed by Olivier Rousteing who explained that his main source of inspiration was the mannequin – a nod to the tailoring theme. Rousteing was behind the Met Gala 2024 outfit by Tyla, which was one of the best interpretations of the “Garden of Time”-theme. I had high expectations for this year, unfortunately, it fell a bit short. Rousteing himself said he was playing with textures for his own outfit, were he incorporated metal for the shirt and the pocket square. While I appreciate the thought of the bag shaped as a sewing machine, referring to his life as a designer, it looked a bit too gimmicky, while Tyla’s 2024 outfit, which even involved an hourglass bag, did not.
Disclaimer
This article is based on the personal, views, experiences and research of the author, no fees were received by the organisations and people mentioned above. All information as of the date of publishing/updating.
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